Theatre in London

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Twelfth Night

Reviewed by , May 19, 2017

Twelfth Night features all of the hallmarks of a Shakespeare comedy: mistaken identities, clever wordplay, the interplay between nobility, servants, and commoners, breaking the fourth wall, and a raft of others. It’s one of the most-produced plays in London and area—this year alone there’s already been a high school production, and it’s on at Stratford too. So why should you see LCP’s production if you’ve already seen the play?

In short, because it’s fantastic.

Director Kaitlyn Rietdyk has created a millennia-spanning pan-Balkan musical mashup that essentially one-ups Shakespeare at every turn. She’s integrated a Greek chorus into the play, which is …

Saucy Jack and the Space Vixens

Reviewed by , April 27, 2017

Saucy Jack and the Space Vixens: Unabashed, Unashamed, Unquestioned—and Sexy—Fun Set to a Disco Beat

What do you get when you combine the interplanetary funksmanship of Parliament, the fluid and overt sexuality of Rocky Horror Picture Show, and the bell-bottom-infused passion for disco of Saturday Night Fever? You get the over two hours of ribald revelry and energetic entertainment of Saucy Jack and the Space Vixens.

Listen, this isn’t Shakespeare. It’s not high art. But it’s unabashed, unashamed, and unquestioned …

Frights of Spring IV

Reviewed by , April 22, 2017

After two incarnations at The ARTS Project, Jason Rip’s Frights of Spring anthology has returned to its original Grosvenor Lodge home for a fourth outing. Featuring five new plays by six playwrights—two new to the Frights of Spring stable of writers—it’s a mostly-satisfying evening of new takes on classic horror tropes.

The familiar stories include the abused woman whose partner has mysteriously disappeared; the bad seed; the tortured blind man; the person flung out of time; and even a sorority seance. These are all Richard Matheson/Val Lewton-style creeping terrors, and to their credit there are few cheap “jumping out …

Colours in the Storm

Reviewed by , April 22, 2017

Colours in the Storm: Vibrant Individual Elements Result in a Production Whose Parts are Greater than its Sum

Colours in the Storm features many fine elements and some outstanding techniques, but it fails to come together into a cohesive and satisfying whole. Combined with a paint-by-numbers second act, you have a production that’s generally pleasant to look at, but falls far short of being a masterpiece.

The play dramatizes the final years of legendary Canadian artist Tom Thomson’s life, from his first arrival in Algonquin Park in 1912, through his embrace of the natural landscape and his attempts to satisfy his …

The Colony of Unrequited Dreams

Reviewed by , March 25, 2017

Nothing Unrequited Here – Love for a “Rock”-Solid Production

With all due respects to Mr. Telford—who did an admirable job back in the day in my gifted history program—if only all Canadian history was this dynamic and entertaining, we’d have a nation that truly appreciates the richness, diversity, and—yes—intrigue of our national past. Fortunately, we have productions like Artistic Fraud’s The Colony of Unrequited Dreams to bring our past—both real and imagined—to vivid and entertaining life.

Ostensibly, the play is the story of Joseph Smallwood, the self-proclaimed Last …