Sex With Strangers

Three complete strangers meet in a hotel bar and spend an unexpected evening filled with mixed drinks, exposed secrets, sexual tension and white lies. This threesome will have you wondering if fantasy really could turn into reality.

November
  1. Sun
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  3. Tue
  4. Wed
  5. Thu
  6. Fri
  7. Sat
  1. 15
    1. 16
      1. 17
        1. 18
          1. 8:00 pm
            Sex With Strangers

            See https://theatreinlondon.ca/2009/11/sex-with-strangers/ for details.

            Location: TAP Centre for Creativity

        2. 19
          1. 8:00 pm
            Sex With Strangers

            See https://theatreinlondon.ca/2009/11/sex-with-strangers/ for details.

            Location: TAP Centre for Creativity

        3. 20
          1. 8:00 pm
            Sex With Strangers

            See https://theatreinlondon.ca/2009/11/sex-with-strangers/ for details.

            Location: TAP Centre for Creativity

        4. 21
          1. 2:00 pm
            Sex With Strangers

            See https://theatreinlondon.ca/2009/11/sex-with-strangers/ for details.

            Location: TAP Centre for Creativity

          2. 8:00 pm
            Sex With Strangers

            See https://theatreinlondon.ca/2009/11/sex-with-strangers/ for details.

            Location: TAP Centre for Creativity

        1 thought on “Sex With Strangers”

        1. Marvin Shank says:

          Londoners this weekend are invited to experience delightful theatre that explores desires for interpersonal vitality and also draw the audience to self reflection and renewal. “Sex with Strangers” is written by Londoner, Johnny Bobesich who also performed in it as Mark, along with Jeana Lowes as Cindy and Robin Rundle Drake as Susan. These three people are in a hotel room, escaping from a snow storm. In their retreat from the weather they also retreat from usual inhibitions as they drink too much, flirt with each other, consider their desires for relationships and confess their sorrows and failures. This mixture brings for them a messy experience beyond usual tidiness of social propriety. Particularly compelling is their honesty about desires and fantasy as well as their pain. This honesty suggests their pain might have been less if they had practiced honesty more often in the rest of their lives. The actors performed with passion, compelling tension, and with significant risks that make for great theatre that draws the audience to personal self knowledge and vitality. It is local theatre at its best.

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